This year Richards was awarded Windgate residencies at the Center for Art in Wood and in the wood/furniture design programs at San Diego State University and the University of Adam Whitney From there she was Penland’s wood studio coordinator from 2015-2019. After receiving an MFA at Arizona State University, Richards participated in residencies, fellowships, and teaching appointments, respectively, at Anderson Ranch, Peters Valley, the Vermont Studio Center, and Appalachian Center for Craft. Her work, both furniture and sculpture, has been included in exhibitions at the Mint Museum, Center for Craft, SOFA Chicago, and the Society of Contemporary Craft.
In addition to mining the histories of furniture and forestry as cornerstones in her research, she has traveled extensively to investigate the roles that play and improvisation have on the artistic process. “As an artist, I recognize freedom of expression as both a privilege and a responsibility making objects in wood is one way I’ve found to communicate effectively and optimistically with this belief in mind.”Įllie Richards looks to the tradition of both woodworking and the readymade to create eclectic assemblage, installation, and objects exploring intersections of labor and leisure. Slippery and Subversive marked the first exhibition in this series, highlighting artists whose work takes a position of slippage and ambiguity as a way to redefine body-object relationships. They are co-curators of Spectral Matter Projects, an annual exhibition platform for LGBTQIA+ artists navigating queer perspectives in craft. Atkinson and Hoffman both graduated with a BFA from Boise State University in 2013, and an MFA from Virginia Commonwealth University in 2018 (Hoffman) and East Carolina University in 2019 (Atkinson).Ītkinson and Hoffman have participated in a number of exhibitions nationally and internationally including the Virginia Museum of Contemporary Art, Contemporary Craft in Pittsburgh, SOIL Gallery in Seattle, Wayne Center for Contemporary Craft in Pennsylvania, the Benaki Museum in Greece, and Nogoya Zokei University in Japan. From the perspective of a queer male experience, they make work through mixed-media installations, wood carvings, photography, and body adornment. Having both grown up in the Pacific Northwest, their individual artistic paths question the hyper masculine tropes associated with the wild west. We work side by side in multidisciplinary practices rooted in craft, striving to grow and give more to craft communities to sustain our field and individual studios.” Adam (left) and Everett (right)Īdam Atkinson and Everett Hoffman are cross-disciplinary artists and collaborative partners, whose studio practices intersect in their shared connection to craft, adornment, and identity. “We are a queer artist couple whose studio practice has been defined by the deep bond we have to each other. We can’t wait to see what they create during their time here! Adam Atkinson and Everett Hoffman Please give a big welcome to Adam, Everett, Ellie, and Adam and get to know them a bit below. Many use this time to explore new ideas and directions, undertake ambitious projects, or develop new bodies of work. The primary expectation of them is that they engage intently with their work. Penland’s resident artists are full-time artists who spend three years living and working as part of our school’s community. They will join current residents Nate Cotterman, Jason Hartsoe, and Kit Paulson.
We are thrilled to welcome four new artists into the Penland resident artist community! Adam Atkinson, Everett Hoffman, Ellie Richards, and Adam Whitney will arrive on campus in September 2020 to begin their residencies at The Barns.
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